The New York Times: Film cameras are seeing another renaissance. But some new photographers are leaving something behind: the tea-colored originals that determine the life of pictures. Photographs by Maansi Srivastava.
A Photo Editor is an online resource for commercial photographers, and edited by Rob Haggart, the former Director of Photography for Men's Journal and Outside Magazine. A Photo Editor is known for valuable advice and resources tailored especially for professional photographers, with a focus on helping photographers understand their unique voice and navigate their careers. Rob interviewed David on the subject of copyright best practices for commercial photographers, including registration, enforcement, contracts, client relations, and licesning.
A Photographer's Life™ podcast featuring Alan Blakely’s interview with David about best practices for photographers of protecting and enforcing their copyrighted photographs.
Rich Baum and Brian Berkowitz of Shooting Spaces podcast interview David about the best way for photographers to reach out to copyright infringers.
Two longtime Duke faculty members are behind an anticipated $2 million in art sales that raise questions about the ethical use of public-domain images, power imbalances within academia, and a university’s thorny role as a gatekeeper of information and access. By Brenna M. Casey for The Assembly, a new, longform digital magazine about the people, institutions, and ideas that shape the State of North Carolina.
Strangers made his small-town portraits famous in the art world. Decades later, his heirs want control of the estate. By Eren Orbey, The New Yorker.
Photographs by Rachel Boillot
Alex Gagne of The Photo Banter Podcast interviews David on U.S. Copyright Act basics and the Vivian Maier case.
A BBC article featuring photographer and client, Sean Heavey, Pixsy, and our infringement case against Netflix.
On July 30, 2020, The New York Times published a letter by the late civil rights leader, John Lewis. The Times chose an image of Mr. Lewis I captured on assignment for Time Magazine in 2008 to accompany the letter. Without a doubt, this was one of my proudest moments as a photographer. The image the Times chose was one I overlooked immediately following the shoot, but now have been provided an opportunity to appreciate.
